Charting Poetry Part 2

Hello Poets!

As National Poetry Month continues, so does our classroom work around it. Kristine’s kindergarten is hard at work creating original works of staggering genius 🙂 ie, poetry. Poetry can be tricky work for children when too many rules are placed around it, so with inspiration from published poets like Zoe Ryder White (find more about her here) and Valerie Worth (All the Small Poems and Fourteen More), this class decided to go with free verse around topics that were important to them, and ultimately important to all young children.

As with any unit, the study began with understanding the genre, in this case what IS a poem and what ISN’T, which also helps to define expectations for children. Given the amount and variety of poetry that children have been exposed to, it was difficult to nail down specifically what separates poetry from not poetry. In the end the class decided it was really just that stories have words that go all the way across the page, and poems don’t.

Note that the heading is in the form of a question. Next there is a prompt to find out some possible answers. The  T-chart underscores the points to consider.

Note that the heading is in the form of a question. Next there is a prompt to find out some possible answers. The T-chart underscores the points to consider.

After this introductory lesson, the children went off to write so Kristine could get a baseline assessment of what students needed to work on in this unit. Kindergarten writing can sometimes feel like every unit has the same goal: write and draw with meaning and more readability, however, poetry has something special to add – creating lasting images and seeing the world in new ways. We were fortunate to have Zoe Ryder White come into our school early in our unit to talk with children about seeing with “poet’s eyes.”


Zoe first read a poem she had written that looked at the moon in a new way. Then she brought out a bag of ordinary objects and the class co-constructed a list poem (a poem where all the lines relate back to one idea- usually the title) about one object: a pine cone. Zoe asked the students again and again to look past the obvious and imagine more about the simple object. When Zoe and Kristine spoke afterwards, Zoe pointed out this imagining is no different than the imaginary play we value so much in the primary grades. The ability to look at a block of wood and use it as a telephone accesses the same skill set as seeing with poet’s eyes. It struck Kristi that the lessons she was doing around this for poetry would be a perfect cross over for choice time and vice versa.

After the students had been writing and reading (in shared reading and read aloud poems) Kristi kept an eye out for children trying things out that they had seen in these mentor texts. She used these in her shares and minilessons to create a strategy chart of poetic devices.


Whenever crafting charts, it is helpful to find student examples since the children are all within a similar zone of proximal development. Mentor texts do not just need to be in the poetry anthologies you find in a library – they can be in the incidental and accidental work your children create. One child did not realize he had repeated his words, but as he went to cross them out Kristi pointed out that some writers do that on purpose. Another child tried talking to the object in her poem, after the class sang, “You Are My Sunshine.” Both of these were cemented and celebrated in the week’s teaching. Rather than introduce a million different “tricks” the class is now trying these  three, or selecting among these options to make a poem more powerful. It is not always the next thing that children need, sometimes it is just this thing – but better.

Finally, a few children carried over construction (as in book construction) work from previous units. The tape, staplers, and post-its all made a reappearance. Kristi constructed a chart to show children when they might choose one option over another. When you have one poem that is very long – you might tape it together. When you have a group of poems that go together (the example has one poem about each family member) you might staple them into a book. This work may seem obvious, but it is not. It asks children to consider: What goes together? What am I creating? These are big questions for little writers.


Let us know some ways you are using charts to support your young poets.

Until next time, happy Poetry Month and happy charting!

Kristi and Marjorie